Icon sets
Custom icons, unified weight
Replace stock FontAwesome-style outlines with a set drawn for your brand — same meanings, consistent stroke, readable at small sizes, delivered as SVG.
Two pillars under one studio: graphic design covering logos, web graphics, and print — and motion graphics covering reveals, explainers, social motion, and interface animation. Same brand system, same files, same team that also builds and hosts the site.
Two pillars, one studio
Graphic design covers everything that doesn’t move: logos, brand systems, web graphics, print. Motion graphics covers everything that does: reveals, walkthroughs, social motion, interface micro-animation. One team handles both halves so the static and the moving stay on the same brand.
Pillar 1 · Static
Logo systems and brand identity, web graphics, photo work, print collateral — business cards, signage, vehicle wraps. Branding lives here as part of the work, not its own page.
Jump to Graphic Design ↓
Pillar 2 · Moving
Logo reveals, product walkthroughs, social and paid motion, interface micro-animation. Animation with a job to do, built on your existing brand system.
Jump to Motion Graphics ↓
Pillar 1 · Static
The full visual surface area of a small business that doesn’t move: logos, brand systems, web graphics, photo work, and the print collateral that has to look the same as the website even though it lives on paper. One set of files, sized correctly for each surface.
A logo is a system
A logo isn’t one file. It’s a primary mark, a reversed treatment, a one-colour version, a 16-pixel favicon. Each one has to read as the same brand. Below: one mark across the six treatments yours will encounter.
On the web
Targeted upgrades, scoped by section. Tell us which part of the site feels off; we’ll quote the pass.
Icon sets
Replace stock FontAwesome-style outlines with a set drawn for your brand — same meanings, consistent stroke, readable at small sizes, delivered as SVG.
Banners & hero treatments
Colour-graded imagery, branded gradient overlays, headline/subhead hierarchy. The part of the page everyone sees first — made to look composed instead of pasted.
Photo work
Background clean-up, cropping for aspect ratios the layout actually wants, WebP/AVIF conversion with sensible fallbacks, proper sizing so nothing gets resampled by the browser.
UI polish
The details that make a page stop looking like a template: feature cards with real hierarchy, stat rows that earn their space, accent use that’s deliberate, buttons that look like buttons.
On paper, signs, and vehicles
Same brand system carried into the surfaces that don’t live on a screen. CMYK, vector, bleed and trim — production-ready, not exported‑from‑Canva.
Cards & collateral
The everyday print pieces. Properly trimmed, properly sized for the production house, delivered as press-ready PDFs with bleed.
Signage
Banner stands, retractable backdrops, lobby signs, exterior signage. Designed at scale, with the right resolution and bleed for the production method.
Vehicles & large format
Vector-built, sized to the vehicle template the wrap shop uses. The mark stays readable at highway distances and the registration window stays unobstructed.
Pillar 2 · Moving
Animation with a job to do. Logo reveals, product explainers, social and paid motion, and interface micro-animation — built to land a message, not fill space. Same brand system as the static work above, retimed for the surface it runs on.
Anatomy of a reveal
The math behind a well-made animation. When bargain motion work goes wrong, it’s usually because one of these phases collapsed — entrances too slow, holds skipped, exits that compete with what comes next.
What we make, and where it runs
The same motion never exports the same way to all of them. We design once, then export per surface.
Logo reveals
A mark that appears with intent — for video intros, keynote decks, social profile headers, and the first two seconds of a product demo. Built in your existing brand system, exported for every surface you actually use.
Product walkthroughs
Short-form animation that walks a viewer through a workflow or feature. Ships as landing-page hero (autoplay muted + poster frame), inside a help doc, or as a paid-ad cut-down with the same timing retimed for each placement.
Social + paid motion
Vertical, square, and 16:9 cuts built for autoplay rules: muted-first, captioned, first frame legible without motion. The same spot exported in the aspect ratios each platform actually runs — not one master dumped everywhere.
Interface motion
Button states, modal transitions, form feedback, and loaders that mean something. Fast (under 250ms), reversible, and respecting prefers-reduced-motion. Usually shipped on the same site we built for you — one team, one codebase.
Assets that fit the surface
Designers who don’t think about the web ship 4 MB banner PNGs that take seconds to load. Designers who don’t think about print send RGB files and wonder why the colours shifted. Designers who don’t think about motion render Lottie files that bloat the bundle and a 60-second MP4 with no captions. We work all four surfaces — web, print, large format, and motion — so each asset comes back the right shape, the right format, the right weight, and the right runtime for where it’s going.
Same team builds your site. So when a banner is too heavy for the page’s LCP budget, an icon set breaks at 16px, a print PDF is missing CMYK conversion, or a Lottie has a transparent fill bug in Safari, someone on staff knows that before it ships, not after.
No designer round-trip
There isn’t a separate “design shop” handed off to — logo systems, polish passes, print collateral, and motion work all come out of the same team running your site’s code and hosting. You tell us what you need, we scope the work, quote it, do it, and ship it. No external freelancer round-trip, no “we’ll forward that to the designer.”
Small passes (a banner, a new icon set, a single business card, a 5-second logo sting) are quoted flat. Larger work across multiple surfaces is scoped by the hour with a ceiling. Either way you’ll see the quote before we start.
A new logo, a polish pass on an existing site, a brochure, a logo sting, a product walkthrough, or all of the above — we’ll come back with a scope, a sample direction, and a starting price.
Not sure where to start? Use our general contact form instead.
A few quick questions so we can come back with something useful — only your name and email are required.
We’ll get back to you within one business day.
If it’s urgent, call 1-236-425-4400.